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The Obfuscation of Memory and Trauma in Postmodern Slave Narrative: “I’m Beloved and She is mine”. A case study Beloved by Toni Morrison

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dc.contributor.author ABDELMALEK Amina, KHEMAISSIA Yasmine
dc.date.accessioned 2024-09-18T10:40:15Z
dc.date.available 2024-09-18T10:40:15Z
dc.date.issued 2024
dc.identifier.citation University of Martyr Sheikh Larbi Tebessi Tebessa en_US
dc.identifier.uri http//localhost:8080/jspui/handle/123456789/11868
dc.description.abstract The leitmotif of slavery was the nexus of several writers. They forage for the traumatized exigencies of slaves by wielding copious narrative styles to obstruct the stereotypical simulacrum of slavery. Toni Morrison was among those writers, who rallied against the expunction of the unspeakable slaves. Via the use of postmodern slave narrative, indubitably, she tends to rewrite the slave history in Beloved, in which she adopts the story of Margaret Garner who escaped from the institution of slavery, by using the fictitious character Sethe. This study investigates How Toni Morrison uses the postmodern slave narrative to portray the Trauma and memory of slavery, by the use of qualitative, as well as analytical, and Descriptive approaches to analyze closely the depiction of trauma and memory in Beloved. Additionally, the ultimate aim to portray the manifestation of critical race theory in the novel and its emphasis on the historical context of slavery en_US
dc.language.iso en en_US
dc.publisher University of Martyr Sheikh Larbi Tebessi Tebessa en_US
dc.subject Slavery , Critical Race Theory , Psychoanalysis , Memory , Trauma , Beloved , Postmodern Slave Narrative en_US
dc.title The Obfuscation of Memory and Trauma in Postmodern Slave Narrative: “I’m Beloved and She is mine”. A case study Beloved by Toni Morrison en_US
dc.type Thesis en_US


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